Daniel Isn’t Real

Directed by Adam Egypt Mortimer · Cinematography by Lyle Vincent

100 min57 frames

HorrorMystery

The mind will do anything to avoid confronting just how alone it is in the universe.

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Stills, screencaps & shots from Daniel Isn’t Real

16 of 57 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Daniel Isn’t Real — © SpectreVision

Daniel Isn’t Real — official trailer

What is Daniel Isn’t Real about?

A troubled college freshman resurrects his imaginary friend to help him cope with a violent trauma.

Daniel Isn't Real is a 2019 American psychological horror film directed by Adam Egypt Mortimer, from a screenplay by Mortimer and Brian DeLeeuw, based upon the novel In This Way I Was Saved by DeLeeuw. It stars Miles Robbins, Patrick Schwarzenegger, Sasha Lane, Mary Stuart Masterson, Hannah Marks, Chukwudi Iwuji and Peter McRobbie.

Second paragraph from Wikipedia, available under CC BY-SA 4.0.

Where can you watch Daniel Isn’t Real?

US availability for Daniel Isn’t Real. Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.

Who stars in Daniel Isn’t Real?

Who made Daniel Isn’t Real?

What does the cinematography of Daniel Isn’t Real look like?

Sampled across 56 frames, the coverage of Daniel Isn’t Real leans on medium shots (46% of the sample) and close-ups (21%). Cinematographer Lyle Vincent keeps 73% of it in soft, low-key light. Night and dusk account for 71% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 73% of the frames, isolating subjects from their surroundings.

What is the color palette of Daniel Isn’t Real?

The dominant colors across the sampled frames of Daniel Isn’t Real are #0d0c0c, #2c2e2d, #290e09, #374a4d, #292218, #4b4434 — measured from the per-frame color data FrameThrower extracts for every film.

  • #0d0c0c
  • #2c2e2d
  • #290e09
  • #374a4d
  • #292218
  • #4b4434

See the full Daniel Isn’t Real colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

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Techniques in this film

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