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The Other (1972)

Directed by Robert Mulligan · Cinematography by Robert Surtees

PG108 min64 frames

DramaHorrorMystery

Niles and Holland are as close as twin brothers can be. Appearances can be deceiving... and deadly.

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Stills, screencaps & shots from The Other

16 of 64 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

The Other (1972) movie still: fullbody — The interior of a rustic wooden barn with stone masonry base and wooden walls. A young boy runs down stairs…The Other (1972) movie still: medium — A dim room filled with men wearing hats and coats stands around a table. A large wooden barrel sits in the…The Other (1972) movie still: wide — A dry, grassy hill rises toward a large pine tree in the background. A woman and a young boy walk together…The Other (1972) movie still: establishing — A suburban house is viewed from a high-altitude overhead perspective amidst green lawn areas. Two tiny…The Other (1972) movie still: fullbody — A quiet cemetery with mature trees and a prominent grey stone monument in foreground. A woman stands in…The Other (1972) movie still: closeup — A dark, cramped space contains shelves filled with jars in the soft background blur. A sweating man with a…The Other (1972) movie still: medium — A dimly lit church interior with rows of wooden benches in the background. A young boy rests his arms on the…The Other (1972) movie still: medium — A church interior with a wooden pew and a prominent stained glass window. A young boy looks toward an elderly…The Other (1972) movie still: closeup — A dark, dusty corner features scattered red fruit resting on loose, dry straw. The environment is indistinct…The Other (1972) movie still: wide — A rustic farm yard features a large wooden barn structure next to a house. A man steps out of a dark vintage…The Other (1972) movie still: medium — A dimly lit nursery features floral wallpaper and a wicker crib under a canopy. A woman in a dark cardigan…The Other (1972) movie still: fullbody — A rustic wooden structure stands beside a white house with a porch. A young boy walks across the dirt…The Other (1972) movie still: wide — A rural farmyard features weathered red wooden barns and a white picket fence. A woman sits in a wicker chair…The Other (1972) movie still: medium — A dimly lit room contains a white metal bed frame and a side table. An elderly woman sits in a rocking chair…The Other (1972) movie still: wide — A rural property features a rustic weathered wooden barn and an expansive dirt yard. A woman watches a child…The Other (1972) movie still: wide — A dark concrete tunnel provides a narrow viewpoint toward a bright exterior opening. A person is crawling…
The Other (1972) — © Rem, Benchmark

The Other — official trailer

What is The Other about?

A series of gruesome accidents plague a small American farming community in the summer of 1935, encircling two identical twin brothers and their family.

The Other is a 1972 American horror psychological thriller film directed by Robert Mulligan, adapted for film by Thomas Tryon from his 1971 novel of the same name. It stars Uta Hagen, Diana Muldaur, and twins Chris and Martin Udvarnoky, with Victor French, John Ritter, and Jenny Sullivan in supporting roles.

Second paragraph from Wikipedia, available under CC BY-SA 4.0.

Who stars in The Other?

Who made The Other?

What does the cinematography of The Other look like?

Across 64 sampled frames, The Other builds its coverage from close-ups (39% of the sample), with medium shots (33%) carrying much of the rest. Cinematographer Robert Surtees keeps 45% of it in soft, low-key light. Vintage glass shapes the frame. Focus stays shallow in 70% of the frames, isolating subjects from their surroundings.

What is the color palette of The Other?

The dominant colors across the sampled frames of The Other (1972) are #32302b, #4f4d49, #d5d3cb, #493631, #d2c8b0, #928d86 — measured from the per-frame color data FrameThrower extracts for every film.

  • #32302b
  • #4f4d49
  • #d5d3cb
  • #493631
  • #d2c8b0
  • #928d86

See the full The Other colour palette — every hex with its share, plus warmth, saturation and luminance.

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Techniques in this film

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