Cowards Bend The Knee (2003)
Directed by Guy Maddin · Cinematography by Guy Maddin
60 min43 frames
DramaRomance
Stills, screencaps & shots from Cowards Bend The Knee
16 of 43 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















What is Cowards Bend The Knee about?
When he takes his girlfriend to a seedy abortion clinic in the back room of a combination hair salon / bordello, Guy Maddin meets the madam’s daughter and falls in love. But she won’t let any man touch her until her father’s murder has been avenged.
Where can you watch Cowards Bend The Knee?
US availability for Cowards Bend The Knee (2003). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Cowards Bend The Knee?
Who made Cowards Bend The Knee?
What does the cinematography of Cowards Bend The Knee look like?
Sampled across 43 frames, the coverage of Cowards Bend The Knee leans on close-ups (63% of the sample) and medium shots (30%). Cinematographer Guy Maddin keeps 60% of it in hard-edged, low-key light. Night and dusk account for 65% of the frames. Vintage glass shapes the frame. Focus stays shallow in 86% of the frames, isolating subjects from their surroundings. The production design places the film in the 1940s.
What is the color palette of Cowards Bend The Knee?
The dominant colors across the sampled frames of Cowards Bend The Knee (2003) are #020202, #fefefe, #323130, #878787, #cacaca, #b1b1b1 — measured from the per-frame color data FrameThrower extracts for every film.
#020202#fefefe#323130#878787#cacaca#b1b1b1
See the full Cowards Bend The Knee colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 43 frames of Cowards Bend The Knee (2003), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Guy Maddin
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