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Dracula: Pages from a Virgin’s Diary (2002)

Directed by Guy Maddin · Cinematography by Paul Suderman

73 min58 frames

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Stills, screencaps & shots from Dracula: Pages from a Virgin’s Diary

16 of 58 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Dracula: Pages from a Virgin’s Diary (2002) movie still: medium — A dark indoor corridor features architectural pillars and a high-contrast lighting…Dracula: Pages from a Virgin’s Diary (2002) movie still: closeup — A dark environment provides no background detail behind the subject. A man with…Dracula: Pages from a Virgin’s Diary (2002) movie still: closeup — An interior space is rendered in a highly saturated monochrome magenta color…Dracula: Pages from a Virgin’s Diary (2002) movie still: medium — A dark, dimly lit environment where two figures are dancing in a spotlight. A man…Dracula: Pages from a Virgin’s Diary (2002) movie still: closeup — A dark stone enclosure illuminated by a single high-contrast light source. A man…Dracula: Pages from a Virgin’s Diary (2002) movie still: medium — An outdoor area with blurred white architectural elements and dark foliage in the…Dracula: Pages from a Virgin’s Diary (2002) movie still: closeup — A metal crucifix is suspended against a completely dark, featureless black…Dracula: Pages from a Virgin’s Diary (2002) movie still: closeup — A close-up view through a circular aperture shows a man lying down in darkness.…Dracula: Pages from a Virgin’s Diary (2002) movie still: medium — Dense, leafless shrubbery at night creates a dark, claustrophobic frame around two…Dracula: Pages from a Virgin’s Diary (2002) movie still: closeup — A high-contrast, black-and-white close-up shot set against a pitch-black,…Dracula: Pages from a Virgin’s Diary (2002) movie still: closeup — A high-contrast black and white closeup captures the face of a woman in darkness.…Dracula: Pages from a Virgin’s Diary (2002) movie still: fullbody — A surrealist set with sculptural objects, stylized trees, and low-lying ground…Dracula: Pages from a Virgin’s Diary (2002) movie still: closeup — A dark space features a woman in profile positioned near a wall with dripping…Dracula: Pages from a Virgin’s Diary (2002) movie still: medium — A man lies asleep in a bed with a large musical organ behind him. A glowing symbol…Dracula: Pages from a Virgin’s Diary (2002) movie still: closeup — A woman looks toward the camera against an intensely overexposed white…Dracula: Pages from a Virgin’s Diary (2002) movie still: closeup — The frame shows a face isolated in darkness with no visible surroundings. The…
Dracula: Pages from a Virgin’s Diary (2002) — © Dracula Productions Inc., Vonnie Von Helmolt Film

Dracula: Pages from a Virgin’s Diary — official trailer

What is Dracula: Pages from a Virgin’s Diary about?

A cinematic version of the Royal Winnipeg Ballet's adaptation of Bram Stoker's gothic novel Dracula. Filmed in a style reminiscent of silent Expressionist cinema of the early 20th century (complete with intertitles and monochrome photography), it uses dance to tell the story of a sinister but intriguing immigrant who preys upon young English women.

Dracula: Pages from a Virgin's Diary is a 2002 TV horror film directed by Guy Maddin, budgeted at $1.7 million and produced for the Canadian Broadcasting Corporation (CBC) as a dance film documenting a performance by the Royal Winnipeg Ballet adapting Bram Stoker's novel Dracula. Maddin elected to shoot the dance film in a fashion uncommon for such films, through close-ups and using jump cuts. Maddin also stayed close to the source material of Stoker's novel, emphasizing the xenophobia in the reactions of the main characters to Dracula.

Second paragraph from Wikipedia, available under CC BY-SA 4.0.

Who stars in Dracula: Pages from a Virgin’s Diary?

Who made Dracula: Pages from a Virgin’s Diary?

What does the cinematography of Dracula: Pages from a Virgin’s Diary look like?

Across 58 sampled frames, Dracula: Pages from a Virgin’s Diary builds its coverage from close-ups (41% of the sample), with medium shots (31%) carrying much of the rest. Cinematographer Paul Suderman keeps 41% of it in low-key light. 71% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Focus stays shallow in 67% of the frames, isolating subjects from their surroundings.

What is the color palette of Dracula: Pages from a Virgin’s Diary?

The dominant colors across the sampled frames of Dracula: Pages from a Virgin’s Diary (2002) are #020202, #fdfdfd, #313131, #8a8a8a, #6f6f6f, #cbcbcb — measured from the per-frame color data FrameThrower extracts for every film.

  • #020202
  • #fdfdfd
  • #313131
  • #8a8a8a
  • #6f6f6f
  • #cbcbcb

See the full Dracula: Pages from a Virgin’s Diary colour palette — every hex with its share, plus warmth, saturation and luminance.

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Techniques in this film

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