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Buffalo ’66 (1998)

Directed by Vincent Gallo · Cinematography by Lance Acord

R110 min57 frames

DramaRomanceComedy

Billy Brown just got out of jail. Now he’s going to serve some real time. He’s going home.

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Stills, screencaps & shots from Buffalo ’66

16 of 57 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Buffalo ’66 (1998) movie still: medium — A tiled bathroom features a woman perched on the tub edge next to a man. The man is sitting inside the…Buffalo ’66 (1998) movie still: closeup — A dimly lit interior space features warm, diffused golden light casting long shadows. A man with dark wavy…Buffalo ’66 (1998) movie still: wide — A grey coupe is parked along a suburban road near a chain link fence. A large school building is visible in…Buffalo ’66 (1998) movie still: medium — A dimly lit room features a bed with a textured pink coverlet and floral wall art. A man sits on the edge…Buffalo ’66 (1998) movie still: closeup — A confined space features a textured, vertically pleated orange background curtain. A woman and a man…Buffalo ’66 (1998) movie still: medium — A motel room with striped textured wallpaper and bedside lamps mounted on the wall. A man and a woman sit…Buffalo ’66 (1998) movie still: medium — An older man stands before a flat, dark red wall in a studio space. He holds his hand against his neck…Buffalo ’66 (1998) movie still: In a dimly lit, wood-paneled corner of a 1970s arcade, a young couple pauses near a photo booth. The scene is framed…Buffalo ’66 (1998) movie still: wide — A dark sedan is parked on the edge of a paved suburban street. Leafless trees and houses line the sidewalk…Buffalo ’66 (1998) movie still: medium — The front seats of a car with a black dashboard and rear-view mirror. A man looks toward a woman sitting in…Buffalo ’66 (1998) movie still: fullbody — A narrow apartment corridor with dark wooden wainscoting and stark, light-colored upper walls. A man…Buffalo ’66 (1998) movie still: medium — A dimly lit room features two floral art prints mounted on a cream wall. A man sits in the lower foreground…Buffalo ’66 (1998) movie still: closeup — A close-up of a person inside a car with light entering from the side window. A thin plume of cigarette…Buffalo ’66 (1998) movie still: fullbody — A dimly lit bowling alley features dark polished lanes and a prominent wooden support post. A young woman…Buffalo ’66 (1998) movie still: medium — A man sits in a dimly lit room with plain, matte green walls. He is wearing a white collared shirt and…Buffalo ’66 (1998) movie still: medium — A dark outdoor space illuminated by a single bright overhead light source. A man extends his arm while…
Buffalo ’66 (1998) — © Gray Daisy Films, Muse Productions

Buffalo ’66 — official trailer

What is Buffalo ’66 about?

Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry.

Where can you watch Buffalo ’66?

US availability for Buffalo ’66 (1998). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.

Who stars in Buffalo ’66?

Who made Buffalo ’66?

What does the cinematography of Buffalo ’66 look like?

Across 57 sampled frames, Buffalo ’66 builds its coverage from medium shots (49% of the sample), with close-ups (26%) carrying much of the rest. Cinematographer Lance Acord keeps 40% of it in soft, naturalistic light. 47% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Focus stays shallow in 63% of the frames, isolating subjects from their surroundings.

What is the color palette of Buffalo ’66?

The dominant colors across the sampled frames of Buffalo ’66 (1998) are #322f2e, #110f0e, #545251, #d3d1cb, #91918d, #f2f0ee — measured from the per-frame color data FrameThrower extracts for every film.

  • #322f2e
  • #110f0e
  • #545251
  • #d3d1cb
  • #91918d
  • #f2f0ee

See the full Buffalo ’66 colour palette — every hex with its share, plus warmth, saturation and luminance.

Buffalo ’66 ranks in

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Techniques in this film

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