The Brown Bunny (2003)

Directed by Vincent Gallo · Cinematography by Vincent Gallo

93 min61 frames

Drama

ADULTS ONLY

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Stills, screencaps & shots from The Brown Bunny

16 of 61 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

The Brown Bunny (2003) — © Kinétique, Vincent Gallo Films

The Brown Bunny — official trailer

What is The Brown Bunny about?

Bud Clay races motorcycles in the 250cc Formula II class of road racing. After a race in New Hampshire, he has five days to get to his next race in California. During his road trip, he is haunted by memories of the last time he saw Daisy, his true love.

Who stars in The Brown Bunny?

Who made The Brown Bunny?

What does the cinematography of The Brown Bunny look like?

Sampled across 61 frames, the coverage of The Brown Bunny leans on medium shots (43% of the sample) and close-ups (26%). Cinematographer Vincent Gallo keeps 77% of it in soft, naturalistic light. This is largely a daylight film — 69% of the frames play in daylight. Vintage glass shapes the frame. Focus stays shallow in 62% of the frames, isolating subjects from their surroundings.

What is the color palette of The Brown Bunny?

The dominant colors across the sampled frames of The Brown Bunny (2003) are #d7d4cf, #f3f2f0, #322f2d, #52544e, #acafa9, #8b7a6b — measured from the per-frame color data FrameThrower extracts for every film.

  • #d7d4cf
  • #f3f2f0
  • #322f2d
  • #52544e
  • #acafa9
  • #8b7a6b

See the full The Brown Bunny colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

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Techniques in this film

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