American Gigolo (1980)
Directed by Paul Schrader · Cinematography by John Bailey
R117 min63 frames
CrimeDramaMystery
He's the highest paid lover in Beverly Hills. He leaves women feeling more alive than they've ever felt before. Except one.
Stills, screencaps & shots from American Gigolo
16 of 63 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















American Gigolo — official trailer
What is American Gigolo about?
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him.
Where can you watch American Gigolo?
US availability for American Gigolo (1980). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.
Who stars in American Gigolo?
Who made American Gigolo?
What does the cinematography of American Gigolo look like?
Sampled across 63 frames, the coverage of American Gigolo leans on medium shots (51% of the sample) and wide compositions (16%). Cinematographer John Bailey keeps 41% of it in soft, low-key light. Night and dusk account for 48% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 59% of the frames, isolating subjects from their surroundings. The production design places the film in the 1980s.
What is the color palette of American Gigolo?
The dominant colors across the sampled frames of American Gigolo (1980) are #101011, #2f2f2c, #514f4f, #d2d0cd, #eeeeed, #acadb0 — measured from the per-frame color data FrameThrower extracts for every film.
#101011#2f2f2c#514f4f#d2d0cd#eeeeed#acadb0
See the full American Gigolo colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
More films by Paul Schrader
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