FrameThrower · Actors · Richard Gere

9 films · 629 frames · top-billed in 7 · 1978–2016
Born 31 August 1949 · Philadelphia, Pennsylvania, USA
Richard Tiffany Gere is an American actor and producer. He began in films in the 1970s, playing a supporting role in Looking for Mr. Goodbar (1977) and a starring role in Days of Heaven (1978). He came to prominence with his role in the film American Gigolo (1980), which established him as a leading man and a sex symbol. He went on to star in many well-received films, including An Officer and a Gentleman (1982), The Cotton Club (1984), Pretty Woman (1990), Sommersby (1993), Primal Fear (1996), Runaway Bride (1999), I'm Not There (2007), Arbitrage (2012) and Norman: The Moderate Rise and Tragic Fall of a New York Fixer (2016). For portraying Billy Flynn in the Academy Award-winning musical Chicago (2002), he won a Golden Globe Award and a Screen Actors Guild Award as part of the cast.
On FrameThrower we have: 9 films · 629 frames · top-billed in 7 · 1978–2016
Measured across 629 frames from the 9 films we hold. This is the look of the work Richard takes, not a claim about any single frame — we index the cast of a film, never the people in a shot.
Across the 9 films we hold, 53% of their frames are night, 46% low key — the look of the work Richard takes.
Time of day
Lighting
Shot size
Camera angle
Mood
Every poster opens that film — stills, cinematography notes and colour palette.

Norman: The Moderate Rise and Tragic Fall of a New York Fixer
2016 · Norman Oppenheimer

The Mothman Prophecies
2002 · John Klein

Chicago
2002 · Billy Flynn

The Cotton Club
1984 · Richard 'Dixie' Dwyer

Breathless
1983 · Jesse

American Gigolo
1980 · Julian Kaye

Days Of Heaven
1978 · Bill

I’m Not There
2007 · Billy

Rhapsody in August
1991 · Clark (Kane's Nephew)
Shared films in this library, not a full filmography.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 629 frames from Richard Gere's 9 films, and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.