Cat People (1982)
Directed by Paul Schrader · Cinematography by John Bailey
R118 min53 frames
HorrorThriller
They are something more than lovers who are about to become something less than human.
Stills, screencaps & shots from Cat People
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Cat People — official trailer
What is Cat People about?
After years of separation, Irena Gallier and her minister brother, Paul, reunite in New Orleans. When zoologists capture a wild panther, Irena is drawn to the cat – and zoo curator Oliver to her. Soon, Paul will have to reveal the family secret: that when sexually aroused, they revert into predatory jungle cats.
Cat People is a 1982 American supernatural horror film directed by Paul Schrader and starring Nastassja Kinski, Malcolm McDowell, John Heard, and Annette O'Toole. Its plot follows a young woman who, upon reuniting with her brother, learns she has descended from werecats. It is a remake of the 1942 film of the same name, and was produced by RKO Radio Pictures, the same studio that produced the original film.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch Cat People?
US availability for Cat People (1982). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Cat People?
Who made Cat People?
What does the cinematography of Cat People look like?
Sampled across 53 frames, the coverage of Cat People leans on medium shots (34% of the sample) and close-ups (26%). Cinematographer John Bailey keeps 62% of it in soft, low-key light. Night and dusk account for 74% of the frames. Focus stays shallow in 57% of the frames, isolating subjects from their surroundings.
What is the color palette of Cat People?
The dominant colors across the sampled frames of Cat People (1982) are #0d0c0d, #302d2d, #52514c, #280c0b, #0c1529, #24354c — measured from the per-frame color data FrameThrower extracts for every film.
#0d0c0d#302d2d#52514c#280c0b#0c1529#24354c
See the full Cat People colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
More films by Paul Schrader
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