The Third Man (1949) colour palette
Directed by Carol Reed · Shot by Robert Krasker
- #030303near black · 17.5%
- #2f2f2fdark grey · 16%
- #909090mid grey · 15.7%
- #6b6b6bmid grey · 13.8%
- #cdcdcdlight grey · 13.2%
- #4a4a4adark grey · 11.1%
The Third Man (1949), shot by Robert Krasker, is monochrome: across 65 sampled frames the palette carries effectively no colour, so its look is built from mid-key tonal range rather than hue. The single most common colour is near black (#030303), covering 17.5% of sampled colour. Overall the image sits mid-key.
Colour
Monochrome
below 0.05 mean saturation
Saturation
monochrome
0 — more saturated than 0% of ranked films
Luminance
mid-key
0.414 — brighter than 51% of ranked films
Measured across 65 frames. See the frames on the The Third Man page →
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Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
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Sign up for freeThese measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.