The Seventh Victim (1943) colour palette

Directed by Mark Robson · Shot by Nicholas Musuraca

#010101near black · 19.1%
#6d6d6dmid grey · 15.7%
#313131dark grey · 15.4%
#929292mid grey · 14.2%
#cbcbcblight grey · 13.5%
#f9f9f9near white · 8.6%

The Seventh Victim (1943), shot by Nicholas Musuraca, is monochrome: across 65 sampled frames the palette carries effectively no colour, so its look is built from mid-key tonal range rather than hue. The single most common colour is near black (#010101), covering 19.1% of sampled colour. Overall the image sits mid-key.

Colour

Monochrome

below 0.05 mean saturation

Saturation

monochrome

0 — more saturated than 0% of ranked films

Luminance

mid-key

0.436 — brighter than 66% of ranked films

Measured across 65 frames. See the frames on the The Seventh Victim page →

Films that grade like this

Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.

Double Indemnity

1944 · Billy Wilder

The Seventh Seal

1957 · Ingmar Bergman

Sunset Boulevard

1950 · Billy Wilder

To Kill A Mockingbird

1962 · Robert Mulligan

The Killing

1956 · Stanley Kubrick

Strangers on a Train

1951 · Alfred Hitchcock

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These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.