The Seventh Continent (1989) colour palette
Directed by Michael Haneke · Shot by Anton Peschke
- #2e2f30dark grey · 13.5%
- #0c0d0enear black · 9.2%
- #f6f6f6near white · 8%
- #d5d4d0light grey · 7.7%
- #abacaalight grey · 6.8%
- #4e4e4edark grey · 6.2%
The Seventh Continent (1989), shot by Anton Peschke, runs heavily desaturated and balanced, measured across 65 sampled frames. Its two dominant hue families are blue and orange. The single most common colour is dark grey (#2e2f30), covering 13.5% of sampled colour. Overall the image sits mid-key.
Warmth
balanced
0.123 on −1 cool to +1 warm
Saturation
heavily desaturated
0.14 — more saturated than 7% of ranked films
Luminance
mid-key
0.455 — brighter than 79% of ranked films
Measured across 65 frames. See the frames on the The Seventh Continent page →
Films that grade like this
Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
Search the frames behind The Seventh Continent
Every colour here comes from a real frame. Search by colour, lighting, lens and mood — $2 of credits free, no card.
These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.