The Rebound (2009) colour palette
Directed by Bart Freundlich · Shot by Jonathan Freeman
- #322f2edark grey · 10.8%
- #f5f4f2pale orange · 7.2%
- #0e0d0dnear black · 6.5%
- #d1cfcblight grey · 5%
- #544e49dark grey · 4.3%
- #d6c6afpale orange · 3.9%
The Rebound (2009), shot by Jonathan Freeman, runs muted and warm, measured across 117 sampled frames. Its two dominant hue families are orange and red. The single most common colour is dark grey (#322f2e), covering 10.8% of sampled colour. Overall the image sits mid-key.
Warmth
warm
0.561 on −1 cool to +1 warm
Saturation
muted
0.266 — more saturated than 57% of ranked films
Luminance
mid-key
0.474 — brighter than 87% of ranked films
Measured across 117 frames. See the frames on the The Rebound page →
Films that grade like this
Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
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These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.