The Day Shall Come (2019) colour palette
Directed by Chris Morris · Shot by Marcel Zyskind
- #2e2e2cdark grey · 10.5%
- #101011near black · 7%
- #d1d5d4light grey · 5.5%
- #525452dark grey · 4.5%
- #8e918emid grey · 3.5%
- #b0b4b0light grey · 3%
The Day Shall Come (2019), shot by Marcel Zyskind, runs muted and warm, measured across 42 sampled frames. Its two dominant hue families are orange and blue. The single most common colour is dark grey (#2e2e2c), covering 10.5% of sampled colour. Overall the image sits mid-key.
Warmth
warm
0.333 on −1 cool to +1 warm
Saturation
muted
0.282 — more saturated than 64% of ranked films
Luminance
mid-key
0.438 — brighter than 67% of ranked films
Measured across 42 frames. See the frames on the The Day Shall Come page →
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Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
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These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.