The Arrival of Joachim Stiller (1976) colour palette
Directed by Harry Kümel · Shot by Eduard van der Enden
- #302d2bdark grey · 9.5%
- #0c0b0anear black · 6.8%
- #f4f6f6near white · 4%
- #d1d0cclight grey · 4%
- #2a384ddeep blue · 3.7%
- #4b4b4adark grey · 3.4%
The Arrival of Joachim Stiller (1976), shot by Eduard van der Enden, runs muted and warm, measured across 65 sampled frames. Its two dominant hue families are orange and blue. The single most common colour is dark grey (#302d2b), covering 9.5% of sampled colour. Overall the image sits mid-key.
Warmth
warm
0.41 on −1 cool to +1 warm
Saturation
muted
0.295 — more saturated than 69% of ranked films
Luminance
mid-key
0.418 — brighter than 52% of ranked films
Measured across 65 frames. See the frames on the The Arrival of Joachim Stiller page →
Films that grade like this
Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
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These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.