Texas, Adios (1966) colour palette
Directed by Ferdinando Baldi · Shot by Enzo Barboni
- #352f29deep orange · 9.8%
- #555049dark grey · 6.8%
- #948872orange · 5.5%
- #8b6f55orange · 5.2%
- #544b39orange · 5.2%
- #493930deep orange · 4.9%
Texas, Adios (1966), shot by Enzo Barboni, runs muted and strongly warm, measured across 65 sampled frames. Its two dominant hue families are orange and red. The single most common colour is deep orange (#352f29), covering 9.8% of sampled colour. Overall the image sits mid-key.
Warmth
strongly warm
0.776 on −1 cool to +1 warm
Saturation
muted
0.22 — more saturated than 34% of ranked films
Luminance
mid-key
0.428 — brighter than 59% of ranked films
Measured across 65 frames. See the frames on the Texas, Adios page →
Films that grade like this
Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
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These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.