
Return To Seoul (2022) colour palette
Directed by Davy Chou · Shot by Thomas Favel
- #2f2e2fdark grey · 8%
- #111111near black · 7.7%
- #4e4f50dark grey · 5.5%
- #d2d3d3light grey · 4%
- #adb3b5light grey · 3.7%
- #747271mid grey · 3.1%
Return To Seoul (2022), shot by Thomas Favel, runs muted and balanced, measured across 65 sampled frames. Its two dominant hue families are red and orange. The single most common colour is dark grey (#2f2e2f), covering 8% of sampled colour. Overall the image sits mid-key.
Warmth
balanced
0.202 on −1 cool to +1 warm
Saturation
muted
0.285 — more saturated than 65% of ranked films
Luminance
mid-key
0.403 — brighter than 42% of ranked films
Measured across 65 frames. See the frames on the Return To Seoul page →
Films that grade like this
Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
Search the frames behind Return To Seoul
Every colour here comes from a real frame. Search by colour, lighting, lens and mood — $2 of credits free, no card.
These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.