REM (2019) colour palette

Directed by Cara Leane Spence · Shot by Justin Vallay

#2f2f2edark grey · 14.4%
#50504bdark grey · 9%
#d2d1cdlight grey · 8.5%
#f5f5f4near white · 7%
#0c0d0dnear black · 4.8%
#afb2b0light grey · 4.5%

REM (2019), shot by Justin Vallay, runs heavily desaturated and warm, measured across 71 sampled frames. Its two dominant hue families are orange and blue. The single most common colour is dark grey (#2f2f2e), covering 14.4% of sampled colour. Overall the image sits mid-key.

Warmth

warm

0.53 on −1 cool to +1 warm

Saturation

heavily desaturated

0.158 — more saturated than 10% of ranked films

Luminance

mid-key

0.496 — brighter than 93% of ranked films

Measured across 71 frames. See the frames on the REM page →

Films that grade like this

Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.

Before Midnight

2013 · Richard Linklater

The Intern

2015 · Nancy Meyers

Fun with Dick and Jane

2005 · Dean Parisot

Y Tu Mamá También

2001 · Alfonso Cuarón

The Peanut Butter Falcon

2019 · Tyler Nilson

Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan

2020 · Jason Woliner

Search the frames behind REM

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These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.