Punch Drunk Love (2002) colour palette
Directed by Paul Thomas Anderson · Shot by Robert Elswit
- #0b0c0fdeep blue · 9%
- #f8f8f7near white · 8.4%
- #d0d0cdlight grey · 6.8%
- #2d2b2ddark grey · 5.5%
- #0f162cdeep blue · 4.8%
- #2d324cdeep blue · 4.8%
Punch Drunk Love (2002), shot by Robert Elswit, runs muted and balanced, measured across 62 sampled frames. Its two dominant hue families are blue and orange. The single most common colour is deep blue (#0b0c0f), covering 9% of sampled colour. Overall the image sits mid-key.
Warmth
balanced
-0.244 on −1 cool to +1 warm
Saturation
muted
0.286 — more saturated than 66% of ranked films
Luminance
mid-key
0.441 — brighter than 71% of ranked films
Measured across 62 frames. See the frames on the Punch Drunk Love page →
Films that grade like this
Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
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Sign up for freeThese measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.