Peter Von Kant (2022) colour palette
Directed by François Ozon · Shot by Manuel Dacosse
- #2b1614deep red · 7%
- #312b2ddark grey · 6%
- #120f13near black · 5.3%
- #08112bdeep blue · 4.7%
- #6d564eorange · 2.7%
- #e6d8c9pale orange · 2.3%
Peter Von Kant (2022), shot by Manuel Dacosse, runs natural and balanced, measured across 61 sampled frames. Its two dominant hue families are orange and red. The single most common colour is deep red (#2b1614), covering 7% of sampled colour. Overall the image sits dark.
Warmth
balanced
0.166 on −1 cool to +1 warm
Saturation
natural
0.449 — more saturated than 95% of ranked films
Luminance
dark
0.374 — brighter than 22% of ranked films
Measured across 61 frames. See the frames on the Peter Von Kant page →
Films that grade like this
Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
Search the frames behind Peter Von Kant
Every colour here comes from a real frame. Search by colour, lighting, lens and mood — $2 of credits free, no card.
These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.