Nothing Left Unsaid: Gloria Vanderbilt & Anderson Cooper (2016) colour palette
Directed by Liz Garbus · Shot by Tom Hurwitz
- #fafaf9near white · 13.2%
- #ccccc9light grey · 10.2%
- #302e2cdark grey · 8.3%
- #050405near black · 8.3%
- #4a4947dark grey · 7.3%
- #a4a3a2mid grey · 4.4%
Nothing Left Unsaid: Gloria Vanderbilt & Anderson Cooper (2016), shot by Tom Hurwitz, runs heavily desaturated and warm, measured across 41 sampled frames. Its two dominant hue families are orange and red. The single most common colour is near white (#fafaf9), covering 13.2% of sampled colour. Overall the image sits bright.
Warmth
warm
0.488 on −1 cool to +1 warm
Saturation
heavily desaturated
0.141 — more saturated than 8% of ranked films
Luminance
bright
0.529 — brighter than 98% of ranked films
Measured across 41 frames. See the frames on the Nothing Left Unsaid: Gloria Vanderbilt & Anderson Cooper page →
Films that grade like this
Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
The Intern
2015 · Nancy Meyers
One Flew Over the Cuckoo's Nest
1975 · Miloš Forman
Fun with Dick and Jane
2005 · Dean Parisot
Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan
2020 · Jason Woliner
Before I Go to Sleep
2014 · Rowan Joffé
The Peanut Butter Falcon
2019 · Tyler Nilson
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These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.