At the Midnight Hour (1995) colour palette
Directed by Charles Jarrott · Shot by Robert Fresco
- #342e29dark grey · 9.3%
- #f7f6f3pale yellow · 6.4%
- #100f0dnear black · 5.1%
- #544f4bdark grey · 4.7%
- #48372bdeep orange · 4.4%
- #251a14deep orange · 4.2%
At the Midnight Hour (1995), shot by Robert Fresco, runs muted and strongly warm, measured across 110 sampled frames. Its two dominant hue families are orange and blue. The single most common colour is dark grey (#342e29), covering 9.3% of sampled colour. Overall the image sits mid-key.
Warmth
strongly warm
0.666 on −1 cool to +1 warm
Saturation
muted
0.248 — more saturated than 48% of ranked films
Luminance
mid-key
0.468 — brighter than 85% of ranked films
Measured across 110 frames. See the frames on the At the Midnight Hour page →
Films that grade like this
Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
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These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.