We Go In at Dawn (2020)

Directed by Ben Mole · Cinematography by Pete Allibone

85 min131 frames

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Stills, screencaps & shots from We Go In at Dawn

16 of 131 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

We Go In at Dawn (2020) — © 101 Films, Reel to Reel Ltd.

We Go In at Dawn — official trailer

What is We Go In at Dawn about?

When a high-ranking war planner is captured and held in a German prisoner of war camp, a team of specialists take on the dangerous mission of trying to break him out. Trouble is, he doesn't want to be rescued.

Where can you watch We Go In at Dawn?

US availability for We Go In at Dawn (2020). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in We Go In at Dawn?

Who made We Go In at Dawn?

What does the cinematography of We Go In at Dawn look like?

Sampled across 130 frames, the coverage of We Go In at Dawn leans on medium shots (48% of the sample) and wide compositions (20%). Cinematographer Pete Allibone keeps 76% of it in soft, naturalistic light. This is largely a daylight film — 74% of the frames play in daylight. Vintage glass shapes the frame. Focus stays shallow in 75% of the frames, isolating subjects from their surroundings.

What is the color palette of We Go In at Dawn?

The dominant colors across the sampled frames of We Go In at Dawn (2020) are #31312e, #51514d, #76766e, #90918a, #b0b0a8, #aaa698 — measured from the per-frame color data FrameThrower extracts for every film.

  • #31312e
  • #51514d
  • #76766e
  • #90918a
  • #b0b0a8
  • #aaa698

See the full We Go In at Dawn colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 131 frames of We Go In at Dawn (2020), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

More films by Ben Mole

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