Behind the Line: Escape to Dunkirk (2020)
Directed by Ben Mole · Cinematography by Pete Allibone
TV-1487 min92 frames
War
Stills, screencaps & shots from Behind the Line: Escape to Dunkirk
16 of 92 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Behind the Line: Escape to Dunkirk — official trailer
What is Behind the Line: Escape to Dunkirk about?
Occupied France, 1940. A Nazi Commander discovers one of his prisoners, Danny is a champion boxer. He forces him to fight for his company's entertainment. But the POWs realise they can use these contests, as cover for an audacious breakout, before they re sent to Germany, where escape will be almost impossible. Their fate and freedom may all come down to how long Danny can keep fighting.
Where can you watch Behind the Line: Escape to Dunkirk?
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Who stars in Behind the Line: Escape to Dunkirk?
Who made Behind the Line: Escape to Dunkirk?
- Ben MoleDirector
- Pete AlliboneCinematography
- Alison RamsayProducer
What does the cinematography of Behind the Line: Escape to Dunkirk look like?
Sampled across 91 frames, the coverage of Behind the Line: Escape to Dunkirk leans heavily on medium shots (77% of the sample). Cinematographer Pete Allibone keeps 58% of it in soft, naturalistic light. Focus stays shallow in 92% of the frames, isolating subjects from their surroundings. The production design places the film in the 1940s.
What is the color palette of Behind the Line: Escape to Dunkirk?
The dominant colors across the sampled frames of Behind the Line: Escape to Dunkirk (2020) are #33312e, #54514c, #74726d, #161515, #8d8679, #96938c — measured from the per-frame color data FrameThrower extracts for every film.
#33312e#54514c#74726d#161515#8d8679#96938c
See the full Behind the Line: Escape to Dunkirk colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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