The Pentagon Wars (1998)
Directed by Richard Benjamin · Cinematography by Robert D. Yeoman
R104 min119 frames
ComedyDramaWarTV Movie
They aimed to build the ultimate fighting machine... they missed.
Stills, screencaps & shots from The Pentagon Wars
16 of 119 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















What is The Pentagon Wars about?
From the director of “Made In America” and “The Money Pit” comes a hilarious look at one of the most expensive blunders in military history. Over 17 years and almost as many billion dollars have gone into devising the BFV (Bradley Fighting Vehicle). There's only one problem. . . it doesn't work. (Spoiler alert: 25 years later ... it does work.)
Where can you watch The Pentagon Wars?
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US availability for The Pentagon Wars (1998). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Pentagon Wars?
Who made The Pentagon Wars?
What does the cinematography of The Pentagon Wars look like?
Across 119 sampled frames, The Pentagon Wars builds its coverage from medium shots (69% of the sample), with close-ups (19%) carrying much of the rest. Cinematographer Robert D. Yeoman keeps 59% of it in soft, naturalistic light. Focus stays shallow in 76% of the frames, isolating subjects from their surroundings. The production design places the film in the 1990s.
What is the color palette of The Pentagon Wars?
The dominant colors across the sampled frames of The Pentagon Wars (1998) are #312f2c, #4d4f4a, #d4d1ca, #877a6b, #121110, #f6f6f5 — measured from the per-frame color data FrameThrower extracts for every film.
#312f2c#4d4f4a#d4d1ca#877a6b#121110#f6f6f5
See the full The Pentagon Wars colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 119 frames of The Pentagon Wars (1998), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
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