The Purple Plain (1954)
Directed by Robert Parrish · Cinematography by Geoffrey Unsworth
Approved100 min50 frames
DramaAdventureWar
His peak of adventure!
Stills, screencaps & shots from The Purple Plain
16 of 50 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
What is The Purple Plain about?
An RAF airfield in Burma in 1945, during World War II. Canadian bomber pilot Bill Forrester is a bitter man who lives haunted by a tragic past. He has became a reckless warrior, and is feared by his comrades, who consider him a madman. Dr. Harris, the squadron physician, is determined to help him heal his tormented soul.
Where can you watch The Purple Plain?
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Who stars in The Purple Plain?
Who made The Purple Plain?
What does the cinematography of The Purple Plain look like?
Sampled across 50 frames, the coverage of The Purple Plain leans on close-ups (36% of the sample) and medium shots (30%). The camera returns again and again to low angles. Cinematographer Geoffrey Unsworth keeps 64% of it in soft, naturalistic light. This is largely a daylight film — 66% of the frames play in daylight. Vintage glass shapes the frame. Focus stays shallow in 66% of the frames, isolating subjects from their surroundings. The production design places the film in the 1940s.
What is the color palette of The Purple Plain?
The dominant colors across the sampled frames of The Purple Plain (1954) are #37312b, #56544b, #d5d0ce, #968e73, #52473c, #caaf94 — measured from the per-frame color data FrameThrower extracts for every film.
#37312b#56544b#d5d0ce#968e73#52473c#caaf94
See the full The Purple Plain colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 50 frames of The Purple Plain (1954), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Robert Parrish
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