The Rifleman (2019)
Directed by Dzintars Dreibergs · Cinematography by Valdis Celmiņš
123 min171 frames
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Stills, screencaps & shots from The Rifleman
16 of 171 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
The Rifleman — official trailer
What is The Rifleman about?
The love story of sixteen-year-old Arturs is interrupted by the First World War. After losing his mother and his home, he finds some consolation in joining the army, because this is the first time national battalions are allowed in the Russian Empire. But war is nothing like Arturs imagined – no glory, no fairness. It is brutal and painful. Arturs is now completely alone as war takes the lives of his father and brother. Also, no progress is made in the promised quick resolution of the war and timely return home. Within the notion that only he alone cares about returning home and that his homeland is just a playground for other nations, Arturs finds strength for the final battle and eventually returns home to start everything from scratch, just like his newly born country.
Where can you watch The Rifleman?
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Who stars in The Rifleman?
Who made The Rifleman?
Dzintars DreibergsDirector
Valdis CelmiņšCinematography- Inga PraņevskaProducer
What does the cinematography of The Rifleman look like?
Sampled across 170 frames, the coverage of The Rifleman leans on medium shots (64% of the sample) and wide compositions (17%). Cinematographer Valdis Celmiņš keeps 69% of it in soft, naturalistic light. This is largely a daylight film — 71% of the frames play in daylight. Focus stays shallow in 85% of the frames, isolating subjects from their surroundings.
What is the color palette of The Rifleman?
The dominant colors across the sampled frames of The Rifleman (2019) are #32312e, #51514c, #908b76, #d1d0cb, #ada792, #4d4639 — measured from the per-frame color data FrameThrower extracts for every film.
#32312e#51514c#908b76#d1d0cb#ada792#4d4639
See the full The Rifleman colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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