Viy (1967)
Directed by Georgi Kropachyov, Konstantin Ershov · Cinematography by Viktor Pishchalnikov, Fyodor Provorov
77 min51 frames
DramaFantasyHorror
The Soviet Union’s first horror film!
Stills, screencaps & shots from Viy
16 of 51 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Viy — official trailer
What is Viy about?
A seminary student on monastery holiday kills an old witch in a remote village. The hag then transforms into a beautiful young woman whose dying wish is for him to watch over her wake for three nights. With terrors occurring and his faith waning, he reads prayers on the overnight watch and tries to survive the supernatural encounters.
Where can you watch Viy?
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US availability for Viy (1967). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Viy?
Who made Viy?
What does the cinematography of Viy look like?
Across 51 sampled frames, Viy builds its coverage from medium shots (37% of the sample), with wide compositions (22%) carrying much of the rest. Cinematographer Viktor Pishchalnikov keeps 47% of it in soft, naturalistic light. 53% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame.
What is the color palette of Viy?
The dominant colors across the sampled frames of Viy (1967) are #302d2c, #51504d, #151312, #74726e, #4c3934, #d3d0cf — measured from the per-frame color data FrameThrower extracts for every film.
#302d2c#51504d#151312#74726e#4c3934#d3d0cf
See the full Viy colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 51 frames of Viy (1967), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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