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Totally F***ed Up (1993)

Directed by Gregg Araki · Cinematography by Gregg Araki

TV-MA78 min62 frames

ComedyDrama

Another homo movie by Gregg Araki

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Stills, screencaps & shots from Totally F***ed Up

16 of 62 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Totally F***ed Up (1993) movie still: medium — An interior space with a blue poster about Andy Warhol visible on the wall. A man and woman sit side…Totally F***ed Up (1993) movie still: wide — A kidney-shaped swimming pool with terracotta brick edging is filled with blue water. A long blue…Totally F***ed Up (1993) movie still: fullbody — A dark, sparsely furnished room features a blue wall and a light-colored rug. A man with short hair…Totally F***ed Up (1993) movie still: medium — Two women sit on a white blanket laid out over outdoor grass. One woman holds a newspaper while the…Totally F***ed Up (1993) movie still: closeup — A man lies on a bed with patterned sheets in a dimly lit room. He is positioned on his back with his…Totally F***ed Up (1993) movie still: medium — A dark corner of a room with muted blue and grey walls. A young man wearing a tank top talks on an…Totally F***ed Up (1993) movie still: closeup — A dark, shadowed room features a shirtless man lying across a bed with a guitar. The man looks…Totally F***ed Up (1993) movie still: wide — A dark, low-ceilinged parking structure made of concrete with visible structural columns. Two men walk…Totally F***ed Up (1993) movie still: closeup — A dimly lit parking garage with distant fluorescent lights visible in the background. A young man…Totally F***ed Up (1993) movie still: medium — A dark, blue-toned space with soft linens covering the surface underneath. A person rests while…Totally F***ed Up (1993) movie still: wide — An interior shot shows a dimly lit living space transitioning into a bright bathroom. A large American…Totally F***ed Up (1993) movie still: closeup — A man stands in a dimly lit, dark space with a rough, low-resolution texture. He holds a rectangular…Totally F***ed Up (1993) movie still: closeup — Two women lie together on a surface in a dimly lit indoor space. They are seen from above while…Totally F***ed Up (1993) movie still: medium — A clear, cloudless deep blue sky serves as the backdrop behind a young man. A single tall palm tree…Totally F***ed Up (1993) movie still: medium — Two men lie on red and white towels spread out over a green lawn. A boombox and a pack of cigarettes…Totally F***ed Up (1993) movie still: medium — A teenager sits in a dim bedroom against a wall adorned with band posters. He holds a phone to his…
Totally F***ed Up (1993) — © Blurco, Desperate Pictures

Totally F***ed Up — official trailer

What is Totally F***ed Up about?

Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.

Where can you watch Totally F***ed Up?

US availability for Totally F***ed Up (1993). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Totally F***ed Up?

Who made Totally F***ed Up?

What does the cinematography of Totally F***ed Up look like?

Sampled across 62 frames, the coverage of Totally F***ed Up leans on medium shots (42% of the sample) and close-ups (26%). Cinematographer Gregg Araki keeps 58% of it in soft, low-key light. Night and dusk account for 65% of the frames. Vintage glass shapes the frame. Focus stays shallow in 66% of the frames, isolating subjects from their surroundings. The production design places the film in the 1990s.

What is the color palette of Totally F***ed Up?

The dominant colors across the sampled frames of Totally F***ed Up (1993) are #0b0a0b, #f5f5f5, #2c2c31, #0c1129, #d4d4d3, #29304d — measured from the per-frame color data FrameThrower extracts for every film.

  • #0b0a0b
  • #f5f5f5
  • #2c2c31
  • #0c1129
  • #d4d4d3
  • #29304d

See the full Totally F***ed Up colour palette — every hex with its share, plus warmth, saturation and luminance.

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Techniques in this film

More films by Gregg Araki

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