Smiley Face (2007)
Directed by Gregg Araki · Cinematography by Shawn Kim
R85 min57 frames
Comedy
High. How are you?
Stills, screencaps & shots from Smiley Face
16 of 57 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Smiley Face — official trailer
What is Smiley Face about?
Jane, a struggling but perpetually stoned actress, has a busy day ahead. She has several important tasks on her list, including buying more marijuana. Even though she already has a good start on the day's planned drug use, she eats her roommate's pot-laced cupcakes and embarks on a series of misadventures all over Los Angeles.
Where can you watch Smiley Face?
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US availability for Smiley Face (2007). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Smiley Face?
Who made Smiley Face?
What does the cinematography of Smiley Face look like?
Sampled across 57 frames, the coverage of Smiley Face leans on close-ups (51% of the sample) and medium shots (28%). Cinematographer Shawn Kim keeps 49% of it in soft, naturalistic light. This is largely a daylight film — 67% of the frames play in daylight. Focus stays shallow in 74% of the frames, isolating subjects from their surroundings. The production design places the film in the 2000s.
What is the color palette of Smiley Face?
The dominant colors across the sampled frames of Smiley Face (2007) are #f4f2f0, #d6d2ce, #0a0a0a, #352f2d, #cfac91, #ecd5ce — measured from the per-frame color data FrameThrower extracts for every film.
#f4f2f0#d6d2ce#0a0a0a#352f2d#cfac91#ecd5ce
See the full Smiley Face colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 57 frames of Smiley Face (2007), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Gregg Araki
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