The Outsiders (1983)
Directed by Francis Ford Coppola · Cinematography by Stephen H. Burum
PG91 min35 frames
CrimeDrama
They grew up on the outside of society. They weren't looking for a fight. They were looking to belong.
Stills, screencaps & shots from The Outsiders
16 of 35 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















The Outsiders — official trailer
What is The Outsiders about?
In 1960s Tulsa, class divisions ignite a violent rivalry between the working-class Greasers and the privileged Socs. When a deadly encounter forces two Greasers, Ponyboy and Johnny, to flee, their struggle for survival and redemption exposes the fragile innocence and enduring bonds of youth on the wrong side of town.
Where can you watch The Outsiders?
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US availability for The Outsiders (1983). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Outsiders?
Who made The Outsiders?
What does the cinematography of The Outsiders look like?
Across 35 sampled frames, The Outsiders builds its coverage from medium shots, with wide compositions carrying much of the rest. Cinematographer Stephen H. Burum keeps most of it in soft, low-key light. Most of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in most of the frames, isolating subjects from their surroundings.
What is the color palette of The Outsiders?
The dominant colors across the sampled frames of The Outsiders (1983) are #2f2a2e, #0f0e15, #2e3248, #131523, #25120c, #d6d7d3 — measured from the per-frame color data FrameThrower extracts for every film.
#2f2a2e#0f0e15#2e3248#131523#25120c#d6d7d3
See the full The Outsiders colour palette — every hex with its share, plus warmth, saturation and luminance.
The Outsiders ranks in
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Techniques in this film
More films by Francis Ford Coppola
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