Peggy Sue Got Married (1986)
Directed by Francis Ford Coppola · Cinematography by Jordan Cronenweth
PG-13103 min66 frames
ComedyDramaFantasy
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Stills, screencaps & shots from Peggy Sue Got Married
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Peggy Sue Got Married — official trailer
What is Peggy Sue Got Married about?
At her 25th high school reunion, Peggy Sue faints and awakens in 1960—back in her senior year, before her marriage and all her regrets. Given a second chance to relive her youth, she must decide whether to change the choices that shaped her life or embrace the past that made her who she is.
Peggy Sue Got Married is a 1986 American fantasy comedy-drama film directed by Francis Ford Coppola starring Kathleen Turner as a woman on the verge of a divorce, who finds herself transported back to the days of her senior year in high school in 1960. The film was written by husband-and-wife team Jerry Leichtling and Arlene Sarner.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch Peggy Sue Got Married?
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US availability for Peggy Sue Got Married (1986). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Peggy Sue Got Married?
Who made Peggy Sue Got Married?
What does the cinematography of Peggy Sue Got Married look like?
Sampled across 66 frames, the coverage of Peggy Sue Got Married leans on medium shots (65% of the sample) and close-ups (21%). Cinematographer Jordan Cronenweth keeps 45% of it in soft, low-key light. Night and dusk account for 62% of the frames. Focus stays shallow in 82% of the frames, isolating subjects from their surroundings. The production design places the film in the 1980s.
What is the color palette of Peggy Sue Got Married?
The dominant colors across the sampled frames of Peggy Sue Got Married (1986) are #352d2d, #52524d, #d6d2cb, #0a080a, #d4c5b5, #78726f — measured from the per-frame color data FrameThrower extracts for every film.
#352d2d#52524d#d6d2cb#0a080a#d4c5b5#78726f
See the full Peggy Sue Got Married colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
More films by Francis Ford Coppola
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