The House of Mirth (2000)
Directed by Terence Davies · Cinematography by Remi Adefarasin
PG135 min54 frames
DramaRomance
When a woman has the beauty men admire and women envy... it is wise to tread carefully.
Stills, screencaps & shots from The House of Mirth
16 of 54 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
The House of Mirth — official trailer
What is The House of Mirth about?
In early 20th century New York City, an impoverished socialite desperately seeks a suitable husband as she gradually finds herself betrayed by her friends and exiled from high society.
Where can you watch The House of Mirth?
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US availability for The House of Mirth (2000). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The House of Mirth?
Who made The House of Mirth?
What does the cinematography of The House of Mirth look like?
Across 54 sampled frames, The House of Mirth builds its coverage from medium shots (59% of the sample), with close-ups (17%) carrying much of the rest. Cinematographer Remi Adefarasin keeps 46% of it in soft, low-key light. Daylight carries most of the picture. Anamorphic glass shapes the frame. Focus stays shallow in 81% of the frames, isolating subjects from their surroundings. The production design places the film in the 1900s and 1910s.
What is the color palette of The House of Mirth?
The dominant colors across the sampled frames of The House of Mirth (2000) are #362d29, #48382a, #15110d, #2e251c, #261b14, #8b7456 — measured from the per-frame color data FrameThrower extracts for every film.
#362d29#48382a#15110d#2e251c#261b14#8b7456
See the full The House of Mirth colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 54 frames of The House of Mirth (2000), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Terence Davies
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