Rivals (1972)
Directed by Krishna Shah · Cinematography by Harvey Genkins
R104 min78 frames
Drama
A love story that ends with a scream.
Stills, screencaps & shots from Rivals
16 of 78 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Rivals — official trailer
What is Rivals about?
A boy with an unhealthy and pathological attachment to his mother becomes increasingly jealous of the new man in her life. After his mother remarries, his rage and misery overwhelm him and he plots to kill his stepfather.
Who stars in Rivals?
Who made Rivals?
What does the cinematography of Rivals look like?
Sampled across 78 frames, the coverage of Rivals leans heavily on medium shots (77% of the sample). Cinematographer Harvey Genkins keeps 78% of it in soft, naturalistic light. This is largely a daylight film — 77% of the frames play in daylight. Focus stays shallow in 83% of the frames, isolating subjects from their surroundings.
What is the color palette of Rivals?
The dominant colors across the sampled frames of Rivals (1972) are #d5d2cc, #343230, #f6f6f4, #535452, #aeafac, #90928f — measured from the per-frame color data FrameThrower extracts for every film.
#d5d2cc#343230#f6f6f4#535452#aeafac#90928f
See the full Rivals colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 78 frames of Rivals (1972), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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