The Church (1989)

Directed by Michele Soavi · Cinematography by Renato Tafuri

R102 min49 frames

Horror

The Eleventh Commandment.

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Stills, screencaps & shots from The Church

16 of 49 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

The Church (1989) — © Reteitalia, Cecchi Gori Group Tiger Cinematografica

The Church — official trailer

What is The Church about?

In a Gothic cathedral built on the mass grave of a Teutonic purge, an ancient discovery by the new librarian will release an unholy maelstrom of madness, violence, and demonic vengeance.

The Church is a 1989 Italian supernatural horror film directed by Michele Soavi, from a screenplay co-written with Dario Argento and Franco Ferrini, and produced by Argento with Mario and Vittorio Cecchi Gori. It stars Hugh Quarshie, Tomas Arana, Barbara Cupisti, Asia Argento, Feodor Chaliapin, Jr. and Giovanni Lombardo Radice.

Second paragraph from Wikipedia, available under CC BY-SA 4.0.

Where can you watch The Church?

US availability for The Church (1989). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in The Church?

Who made The Church?

What does the cinematography of The Church look like?

Sampled across 48 frames, the coverage of The Church leans on close-ups (42% of the sample) and medium shots (23%). Cinematographer Renato Tafuri keeps 52% of it in soft, low-key light. Night and dusk account for 65% of the frames. Focus stays shallow in 67% of the frames, isolating subjects from their surroundings.

What is the color palette of The Church?

The dominant colors across the sampled frames of The Church (1989) are #2f2d2d, #4f4f4d, #151314, #d3d2d2, #77716b, #948d8b — measured from the per-frame color data FrameThrower extracts for every film.

  • #2f2d2d
  • #4f4f4d
  • #151314
  • #d3d2d2
  • #77716b
  • #948d8b

See the full The Church colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

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Techniques in this film

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