Get Out (2017)
Directed by Jordan Peele · Cinematography by Toby Oliver, Denson Baker
R104 min59 frames
MysteryThrillerHorror
Just because you're invited, doesn't mean you're welcome.
Stills, screencaps & shots from Get Out
16 of 59 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Get Out — official trailer
What is Get Out about?
Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.
Where can you watch Get Out?
YouTube TVStream
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US availability for Get Out (2017). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Get Out?
Who made Get Out?
What does the cinematography of Get Out look like?
Across 56 sampled frames, Get Out builds its coverage from medium shots (46% of the sample), with close-ups (29%) carrying much of the rest. Cinematographer Toby Oliver keeps 43% of it in soft, low-key light. 46% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 79% of the frames, isolating subjects from their surroundings.
What is the color palette of Get Out?
The dominant colors across the sampled frames of Get Out (2017) are #312e2a, #131110, #524f48, #d4d2cc, #4d382c, #4f4c38 — measured from the per-frame color data FrameThrower extracts for every film.
#312e2a#131110#524f48#d4d2cc#4d382c#4f4c38
See the full Get Out colour palette — every hex with its share, plus warmth, saturation and luminance.
Get Out ranks in
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Techniques in this film
More films by Jordan Peele
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