The Adjuster (1991)
Directed by Atom Egoyan · Cinematography by Paul Sarossy
R102 min46 frames
DramaThriller
Some people work in mysterious ways.
Stills, screencaps & shots from The Adjuster
16 of 46 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
The Adjuster — official trailer
What is The Adjuster about?
An uptight insurance man and his film-censor wife become a kinky couple's landlords.
The Adjuster is a 1991 Canadian drama film directed by Atom Egoyan, his fourth feature film and the first to achieve international acclaim. The film won five awards, as well as two other nominations upon its initial release.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch The Adjuster?
Criterion ChannelStream
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US availability for The Adjuster (1991). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Adjuster?
Who made The Adjuster?
What does the cinematography of The Adjuster look like?
Sampled across 46 frames, the coverage of The Adjuster leans on medium shots (57% of the sample) and wide compositions (28%). Cinematographer Paul Sarossy keeps 57% of it in soft, low-key light. Night and dusk account for 67% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 67% of the frames, isolating subjects from their surroundings.
What is the color palette of The Adjuster?
The dominant colors across the sampled frames of The Adjuster (1991) are #30322f, #101413, #504d48, #d4d2ce, #e3d3c7, #ceaa91 — measured from the per-frame color data FrameThrower extracts for every film.
#30322f#101413#504d48#d4d2ce#e3d3c7#ceaa91
See the full The Adjuster colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 46 frames of The Adjuster (1991), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Atom Egoyan
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