Exotica (1994)
Directed by Atom Egoyan · Cinematography by Paul Sarossy
R103 min61 frames
Drama
In a world of temptation, obsession is the deadliest desire.
Stills, screencaps & shots from Exotica
16 of 61 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Exotica — official trailer
What is Exotica about?
In the upscale Toronto strip club Exotica, dancer Christina is visited nightly by the obsessive Francis, a depressed tax auditor. Her ex-boyfriend, the club's MC, Eric, still jealously pines for her even as he introduces her onstage, but Eric is having his own relationship problems with the club's female owner. Thomas, a mysterious pet-shop owner, is about to become unexpectedly involved in their lives.
Where can you watch Exotica?
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US availability for Exotica (1994). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Exotica?
Who made Exotica?
What does the cinematography of Exotica look like?
Sampled across 61 frames, the coverage of Exotica leans on medium shots (67% of the sample) and wide compositions (18%). Cinematographer Paul Sarossy keeps 74% of it in soft, low-key light. Night and dusk account for 79% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 70% of the frames, isolating subjects from their surroundings. The production design places the film in the 1990s.
What is the color palette of Exotica?
The dominant colors across the sampled frames of Exotica (1994) are #0b0e11, #2e2f2c, #0a112b, #182b4b, #334c33, #283553 — measured from the per-frame color data FrameThrower extracts for every film.
#0b0e11#2e2f2c#0a112b#182b4b#334c33#283553
See the full Exotica colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 61 frames of Exotica (1994), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Atom Egoyan
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