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Split (2016)

Directed by Jamie Buckner · Cinematography by Jordan T. Parrott

TV-PG90 min64 frames

ComedyRomance

When the pressure's on, what would you choose - the 7... or the 10?

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Stills, screencaps & shots from Split

16 of 64 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Split (2016) movie still: medium — A dimly lit, sparse concrete space features a doorway framed by dark wood. A man stands in the center holding a…Split (2016) movie still: fullbody — A narrow concrete basement corridor features industrial doors and ceiling-mounted fluorescent fixtures. A man…Split (2016) movie still: closeup — A dimly lit room where only the immediate workspace is visible. A young woman looks directly at a bright screen…Split (2016) movie still: medium — An interior wall features two framed artworks flanking a man wearing a beanie. The man stands in a dimly lit…Split (2016) movie still: medium — A dark, narrow corridor with textured walls illuminated by a single warm light source. A woman stands in the…Split (2016) movie still: closeup — A dimly lit space features a rough-textured stone wall as the primary background. A young woman with long dark…Split (2016) movie still: fullbody — A cluttered apartment workshop features tall bookshelves and a sewing mannequin on the left. A young woman…Split (2016) movie still: wide — A curving wooden staircase with ornate balusters spirals downward into an open foyer. A woman stands on the…Split (2016) movie still: closeup — A deer carcass lies on a damp forest floor covered with brown decaying autumn leaves. The animal's head and…Split (2016) movie still: wide — A narrow, dimly lit industrial hallway features smooth, monolithic walls and a single overhead light. A young woman…Split (2016) movie still: closeup — A dimly lit interior space features a man leaning forward towards the viewer. The background is obscured by…Split (2016) movie still: medium — A dark stone-walled cellar room features a single bed with a white pillow. Two young women sit side by side on…Split (2016) movie still: closeup — Two crushed red plastic food containers sit on gray asphalt. They rest beside the lower body of a dark-colored…Split (2016) movie still: closeup — A weathered industrial wall features an illuminated fluorescent light fixture with exposed overhead pipes. The…Split (2016) movie still: closeup — A close-up view inside a vehicle with gray interior paneling visible. A young woman with long dark hair looks…Split (2016) movie still: medium — A cluttered, dimly lit basement with a white utility sink and exposed ceiling joists. A man in a yellow and black…
Split (2016) — © Gravitas Ventures

What is Split about?

As her 30th birthday looms, an over-achieving woman with a thing for bowlers decides to marry the man of her dreams in just under a month.

Where can you watch Split?

US availability for Split (2016). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Split?

Who made Split?

What does the cinematography of Split look like?

Across 61 sampled frames, Split builds its coverage from medium shots (34% of the sample), with close-ups (33%) carrying much of the rest. Cinematographer Jordan T. Parrott keeps 61% of it in soft, low-key light. 44% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 72% of the frames, isolating subjects from their surroundings.

What is the color palette of Split?

The dominant colors across the sampled frames of Split (2016) are #31302a, #4e4933, #171610, #515049, #2c2719, #766b50 — measured from the per-frame color data FrameThrower extracts for every film.

  • #31302a
  • #4e4933
  • #171610
  • #515049
  • #2c2719
  • #766b50

See the full Split colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 64 frames of Split (2016), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

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