Dexter's Laboratory: Ego Trip (1999)
Directed by Genndy Tartakovsky
TV-G50 min99 frames
AnimationComedyFamilyScience Fiction
It's about time.
Stills, screencaps & shots from Dexter's Laboratory: Ego Trip
16 of 99 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Dexter's Laboratory: Ego Trip — official trailer
What is Dexter's Laboratory: Ego Trip about?
After Dexter is confronted with robots who wish to "destroy the one who saved the future," he uses his time machine to see how he saved it. They declare that they are here to destroy the one who saved the future, and make ready to attack Dexter. Dexter easily destroys them with the use of various tools and gadgets from his lab. However, news that he is "The One Who Saved the Future" intrigues him, and he decides to travel through time to discover how cool he is. In the first time period he visits, Dexter finds a tall, skinny, weak version of himself working in office-designing cubicles, with Mandark as his rich, successful boss. The child Dexter unwittingly reveals the existence of blueprints regarding the "Neurotomic Protocore", and Mandark steals it after the two Dexters move forward in time.
Who stars in Dexter's Laboratory: Ego Trip?
Who made Dexter's Laboratory: Ego Trip?
What does the cinematography of Dexter's Laboratory: Ego Trip look like?
Sampled across 99 frames, the coverage of Dexter's Laboratory: Ego Trip leans heavily on medium shots (67% of the sample). The lighting keeps 45% of it in naturalistic light. Deep focus keeps foreground and background readable at once in 100% of the frames.
What is the color palette of Dexter's Laboratory: Ego Trip?
The dominant colors across the sampled frames of Dexter's Laboratory: Ego Trip (1999) are #fefdfd, #020202, #cd332a, #302c2b, #ab2e29, #d3d4d2 — measured from the per-frame color data FrameThrower extracts for every film.
#fefdfd#020202#cd332a#302c2b#ab2e29#d3d4d2
See the full Dexter's Laboratory: Ego Trip colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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