Satan’s Slaves (2017)

Directed by Joko Anwar · Cinematography by Ical Tanjung

107 min58 frames

HorrorMystery

She comes back for the last child.

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Stills, screencaps & shots from Satan’s Slaves

16 of 58 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Satan’s Slaves (2017) — © CJ Entertainment, Rapi Films

Satan’s Slaves — official trailer

What is Satan’s Slaves about?

After dying from a strange illness that she suffered for three years, a mother returns home to pick up her children.

Where can you watch Satan’s Slaves?

US availability for Satan’s Slaves (2017). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Satan’s Slaves?

Who made Satan’s Slaves?

What does the cinematography of Satan’s Slaves look like?

Across 54 sampled frames, Satan’s Slaves builds its coverage from medium shots (44% of the sample), with wide compositions (35%) carrying much of the rest. Cinematographer Ical Tanjung keeps 52% of it in soft, low-key light. 50% of the frames play at night or in the failing light of dusk. Focus stays shallow in 61% of the frames, isolating subjects from their surroundings.

What is the color palette of Satan’s Slaves?

The dominant colors across the sampled frames of Satan’s Slaves (2017) are #32322c, #504a38, #525147, #45392e, #141411, #d0c4b1 — measured from the per-frame color data FrameThrower extracts for every film.

  • #32322c
  • #504a38
  • #525147
  • #45392e
  • #141411
  • #d0c4b1

See the full Satan’s Slaves colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 58 frames of Satan’s Slaves (2017), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

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