Panic Room (2002)
Directed by David Fincher · Cinematography by Darius Khondji, Conrad W. Hall
R112 min56 frames
CrimeDramaThriller
It was supposed to be the safest room in the house.
Stills, screencaps & shots from Panic Room
16 of 56 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Panic Room — official trailer
What is Panic Room about?
Trapped in their New York brownstone's panic room, a hidden chamber built as a sanctuary in the event of break-ins, newly divorced Meg Altman and her young daughter Sarah play a deadly game of cat-and-mouse with three intruders - Burnham, Raoul and Junior - during a brutal home invasion. But the room itself is the focal point because what the intruders really want is inside it.
Where can you watch Panic Room?
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US availability for Panic Room (2002). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Panic Room?
Who made Panic Room?
What does the cinematography of Panic Room look like?
Across 49 sampled frames, Panic Room builds its coverage from close-ups (43% of the sample), with medium shots (31%) carrying much of the rest. Cinematographer Darius Khondji keeps 92% of it in soft, low-key light. 80% of the frames play at night or in the failing light of dusk. Focus stays shallow in 78% of the frames, isolating subjects from their surroundings.
What is the color palette of Panic Room?
The dominant colors across the sampled frames of Panic Room (2002) are #2d322c, #4f554d, #141715, #6e6b56, #8e948b, #374d4a — measured from the per-frame color data FrameThrower extracts for every film.
#2d322c#4f554d#141715#6e6b56#8e948b#374d4a
See the full Panic Room colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 56 frames of Panic Room (2002), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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