Alien 3 (1992)
Directed by David Fincher · Cinematography by Alex Thomson
R114 min55 frames
Science FictionActionHorror
Three times the suspense. Three times the danger. Three times the terror
Stills, screencaps & shots from Alien 3
16 of 55 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Alien 3 — official trailer
What is Alien 3 about?
After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can.
Where can you watch Alien 3?
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Who stars in Alien 3?
Who made Alien 3?
What does the cinematography of Alien 3 look like?
Sampled across 54 frames, the coverage of Alien 3 leans on close-ups (39% of the sample) and medium shots (28%). The camera returns again and again to low angles. Cinematographer Alex Thomson keeps 78% of it in soft, low-key light. Night and dusk account for 74% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 67% of the frames, isolating subjects from their surroundings.
What is the color palette of Alien 3?
The dominant colors across the sampled frames of Alien 3 (1992) are #322f2b, #15110e, #251912, #48372c, #534f49, #534938 — measured from the per-frame color data FrameThrower extracts for every film.
#322f2b#15110e#251912#48372c#534f49#534938
See the full Alien 3 colour palette — every hex with its share, plus warmth, saturation and luminance.
Alien 3 ranks in
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