Stills, screencaps & shots from Old Joy
16 of 61 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Old Joy — official trailer
What is Old Joy about?
Soon to be a father, Mark feels the pressure of domestic responsibility closing in, so he is more than happy to accept when his old friend Kurt proposes a camping trip in the Oregon wilderness. During their time together, the men come to grips with the changes in their lives and the effect on their relationship.
Old Joy is a 2006 American road movie written and directed by Kelly Reichardt and based on a short story by Jonathan Raymond. The original soundtrack for the film is by Yo La Tengo and included on the compilation soundtrack album They Shoot, We Score.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch Old Joy?
US availability for Old Joy (2006). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Old Joy?
Daniel Londonas Mark
Will Oldhamas Kurt- Tanya Smithas Tanya
Who made Old Joy?
What does the cinematography of Old Joy look like?
Sampled across 61 frames, the coverage of Old Joy leans on medium shots (34% of the sample) and close-ups (23%). Cinematographer Peter Sillen keeps 84% of it in soft, naturalistic light. This is largely a daylight film — 79% of the frames play in daylight. Focus stays shallow in 56% of the frames, isolating subjects from their surroundings.
What is the color palette of Old Joy?
The dominant colors across the sampled frames of Old Joy (2006) are #313128, #53544c, #8d8c73, #4a5236, #717154, #ada890 — measured from the per-frame color data FrameThrower extracts for every film.
#313128#53544c#8d8c73#4a5236#717154#ada890
See the full Old Joy colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 61 frames of Old Joy (2006), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Kelly Reichardt
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