Planet of the Apes (1968) (1968)

Directed by Franklin J. Schaffner · Cinematography by Leon Shamroy

G112 min61 frames

Science FictionAdventureDramaAction

Somewhere in the Universe, there must be something better than man!

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Stills, screencaps & shots from Planet of the Apes (1968)

16 of 61 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Planet of the Apes (1968) (1968) — © APJAC Productions, 20th Century Fox

Planet of the Apes (1968) — official trailer

What is Planet of the Apes (1968) about?

Astronaut Taylor crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport. Soon Taylor finds himself among the hunted, his life in the hands of a benevolent chimpanzee scientist.

Where can you watch Planet of the Apes (1968)?

US availability for Planet of the Apes (1968) (1968). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.

Who stars in Planet of the Apes (1968)?

Who made Planet of the Apes (1968)?

What does the cinematography of Planet of the Apes (1968) look like?

Across 61 sampled frames, Planet of the Apes (1968) builds its coverage from wide compositions (46% of the sample), with medium shots (33%) carrying much of the rest. High angles recur throughout. Cinematographer Leon Shamroy keeps 84% of it in soft, naturalistic light. Daylight carries most of the picture. Anamorphic glass shapes the frame. Deep focus keeps foreground and background readable at once in 66% of the frames.

What is the color palette of Planet of the Apes (1968)?

The dominant colors across the sampled frames of Planet of the Apes (1968) (1968) are #34312a, #565048, #514a36, #928774, #d3d1cd, #b1a792 — measured from the per-frame color data FrameThrower extracts for every film.

  • #34312a
  • #565048
  • #514a36
  • #928774
  • #d3d1cd
  • #b1a792

See the full Planet of the Apes (1968) colour palette — every hex with its share, plus warmth, saturation and luminance.

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Techniques in this film

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