Nobody’s Daughter Haewon (2013)
Directed by Hong Sang-soo · Cinematography by Park Hong-yeol, Kim Hyung-koo
90 min32 frames
Drama
Stills, screencaps & shots from Nobody’s Daughter Haewon
16 of 32 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Nobody’s Daughter Haewon — official trailer
What is Nobody’s Daughter Haewon about?
Haewon, a college student, wants to end her secret affair with her professor, Seongjun. Feeling depressed after bidding farewell to her mother who is set to immigrate to Canada the next day, Haewon seeks out Seongjun again after a long time. That day, they run into her classmates at a restaurant and their relationship gets revealed. Haewon gets more agitated and Seongjun makes an extreme suggestion to run away together… Haewon dreams often. Her dreams will be compared to her waking life, but none can be denied as being a part of her life.
Where can you watch Nobody’s Daughter Haewon?
US availability for Nobody’s Daughter Haewon (2013). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Nobody’s Daughter Haewon?
Who made Nobody’s Daughter Haewon?
What does the cinematography of Nobody’s Daughter Haewon look like?
Sampled across 32 frames, the coverage of Nobody’s Daughter Haewon leans on medium shots and wide compositions. Cinematographer Park Hong-yeol keeps almost all of it in soft, naturalistic light. This is largely a daylight film — most of the frames play in daylight. Deep focus keeps foreground and background readable at once in most of the frames.
What is the color palette of Nobody’s Daughter Haewon?
The dominant colors across the sampled frames of Nobody’s Daughter Haewon (2013) are #d7d1cc, #55514c, #928e8e, #342e2b, #907b6d, #8e6a54 — measured from the per-frame color data FrameThrower extracts for every film.
#d7d1cc#55514c#928e8e#342e2b#907b6d#8e6a54
See the full Nobody’s Daughter Haewon colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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