Napoleon (1927)
Directed by Abel Gance · Cinematography by Nikolai Toporkoff, Jules Kruger, Joseph-Louis Mundwiller, Léonce-Henri Burel
330 min65 frames
DramaHistoryWar
Stills, screencaps & shots from Napoleon
16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Napoleon — official trailer
What is Napoleon about?
A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797.
Where can you watch Napoleon?
US availability for Napoleon (1927). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Napoleon?
Who made Napoleon?
Abel GanceDirector- Jules KrugerCinematography
Nikolai ToporkoffCinematography- Henry de CazotteProducer
- Hugo StinnesProducer
- WengeroffProducer
What does the cinematography of Napoleon look like?
Across 64 sampled frames, Napoleon builds its coverage from wide compositions (41% of the sample), with close-ups (28%) carrying much of the rest. Cinematographer Nikolai Toporkoff keeps 41% of it in soft, naturalistic light. Vintage glass shapes the frame. Deep focus keeps foreground and background readable at once in 58% of the frames.
What is the color palette of Napoleon?
The dominant colors across the sampled frames of Napoleon (1927) are #040304, #8a8a8a, #c9c9c9, #2f2f2e, #4a4a4a, #afafaf — measured from the per-frame color data FrameThrower extracts for every film.
#040304#8a8a8a#c9c9c9#2f2f2e#4a4a4a#afafaf
See the full Napoleon colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 65 frames of Napoleon (1927), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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