Mona Lisa and the Blood Moon (2022)
Directed by Ana Lily Amirpour · Cinematography by Pawel Pogorzelski
R106 min250 frames
MysteryFantasyThriller
Do not look in her eyes.
Stills, screencaps & shots from Mona Lisa and the Blood Moon
16 of 250 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Mona Lisa and the Blood Moon — official trailer
What is Mona Lisa and the Blood Moon about?
A young woman with psychokinetic powers breaks out of a Louisiana asylum and makes her way to New Orleans, where she falls into the city’s netherworld of misfits and miscreants.
Where can you watch Mona Lisa and the Blood Moon?
US availability for Mona Lisa and the Blood Moon (2022). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Mona Lisa and the Blood Moon?
Who made Mona Lisa and the Blood Moon?
What does the cinematography of Mona Lisa and the Blood Moon look like?
Sampled across 200 frames, the coverage of Mona Lisa and the Blood Moon leans on medium shots (63% of the sample) and close-ups (19%). Cinematographer Pawel Pogorzelski keeps 56% of it in soft, low-key light. Night and dusk account for 70% of the frames. Focus stays shallow in 79% of the frames, isolating subjects from their surroundings.
What is the color palette of Mona Lisa and the Blood Moon?
The dominant colors across the sampled frames of Mona Lisa and the Blood Moon (2022) are #302e2c, #0c0b0b, #f7f6f4, #d4d1cb, #4f4d4a, #8a796b — measured from the per-frame color data FrameThrower extracts for every film.
#302e2c#0c0b0b#f7f6f4#d4d1cb#4f4d4a#8a796b
See the full Mona Lisa and the Blood Moon colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 250 frames of Mona Lisa and the Blood Moon (2022), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Ana Lily Amirpour
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