Mississippi Burning (1988)
Directed by Alan Parker · Cinematography by Peter Biziou
R128 min58 frames
DramaCrimeMysteryThriller
1964. When America was at war with itself.
Stills, screencaps & shots from Mississippi Burning
16 of 58 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Mississippi Burning — official trailer
What is Mississippi Burning about?
Two FBI agents investigating the murder of civil rights workers during the 60s seek to breach the conspiracy of silence in a small Southern town where segregation divides black and white. The younger agent trained in FBI school runs up against the small town ways of his partner, a former sheriff.
Where can you watch Mississippi Burning?
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US availability for Mississippi Burning (1988). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Mississippi Burning?
Who made Mississippi Burning?
What does the cinematography of Mississippi Burning look like?
Across 58 sampled frames, Mississippi Burning builds its coverage from medium shots (45% of the sample), with wide compositions (29%) carrying much of the rest. Cinematographer Peter Biziou keeps 47% of it in soft, low-key light. 53% of the frames play at night or in the failing light of dusk.
What is the color palette of Mississippi Burning?
The dominant colors across the sampled frames of Mississippi Burning (1988) are #33312d, #54504a, #100f0f, #8c796c, #4a3732, #d7d1c9 — measured from the per-frame color data FrameThrower extracts for every film.
#33312d#54504a#100f0f#8c796c#4a3732#d7d1c9
See the full Mississippi Burning colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 58 frames of Mississippi Burning (1988), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Alan Parker
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