Mary Poppins (1964)
Directed by Robert Stevenson · Cinematography by Edward Colman
G139 min65 frames
ComedyFamilyFantasy
The fairest of them all...the funniest of them all!
Stills, screencaps & shots from Mary Poppins
16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Mary Poppins — official trailer
What is Mary Poppins about?
In turn of the century London, a magical nanny employs music and adventure to help two neglected children become closer to their father.
Where can you watch Mary Poppins?
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US availability for Mary Poppins (1964). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Mary Poppins?
Who made Mary Poppins?
What does the cinematography of Mary Poppins look like?
Across 64 sampled frames, Mary Poppins builds its coverage from medium shots (31% of the sample), with wide compositions (31%) carrying much of the rest. Cinematographer Edward Colman keeps 38% of it in soft, naturalistic light. 45% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Deep focus keeps foreground and background readable at once in 66% of the frames.
What is the color palette of Mary Poppins?
The dominant colors across the sampled frames of Mary Poppins (1964) are #312d2e, #0c182a, #121111, #f9f8f6, #d2cfcb, #47362f — measured from the per-frame color data FrameThrower extracts for every film.
#312d2e#0c182a#121111#f9f8f6#d2cfcb#47362f
See the full Mary Poppins colour palette — every hex with its share, plus warmth, saturation and luminance.
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